Speakerboxxx/The Love Below is the fifth studio album by American hip hop duo OutKast. OutKast's other nominations were for Producer of the Year. Outkast : Speakerboxx & The Love Below Posted by Enjoy. Check out our album review of Artist's Speakerboxxx/The Love Below on Rolling Stone.com. OutKast's Big Boi sees the sharks circling, sniffing for blood.Download Outkast Speakerboxxx: Love Below (CD 2) mp3 album. Speakerboxxx: Love Below (CD 2) high quality complete mp3 album. Speakerboxxx - The Love Below (iTunes Plus M4A). OutKast - Speakerboxxx - The Love Below. Download outkast speakerboxxx-the love below.rar. Download outkast speakerboxxx-the love below.rar. Business Software; Drivers; Pdf; Best apps. Their contrasting points of view meshed beautifully, though, resulting in what I find to be the duo's finest hour. La. Face Records marketed this project, rightfully so, as two solo albums packaged together: Speakerboxxx by Big Boi, and The Love Below by Andre 3. What I expected was two albums that didn't sound even remotely related, which is what I received. However, one strange fact stood out for me while I was reading through the liner notes: Andre helped Big Boi write and produce Speakerboxxx, but Antwan's assistance was largely ignored for The Love Below. This led me to believe two things: (1) Andre's egomania had finally reached new heights, and (2) critics would be all over themselves sucking at the cock of Andre 3. And yeah, I was right. Speakerboxxx/The Love Below was both hailed and criticized by the general public: hailed because the music was good (at least, when it actually worked), but criticized because it isn't really an Outkast album. When you subtract one or the other from the mix, you get a rapper (or in Dre's case, a . Big Boi's Speakerboxxx showcased a philosophical pimp who paid much more attention to the political events of the world around him than one would believe, and he surrounded himself with guests who shared his views (Killer Mike, various members of the Goodie Mo. B, Sleepy Brown) and folks who would guarantee sales (Jay- Z, Ludacris, Lil' Jon), while Andre's The Love Below only features three cameo appearances, one of which barely registers. Dre's half of the project explores musical territory only hinted at on previous Outkast releases: funk, R& B, rock, jazz, drum and bass, polka, new wave, synth pop, and, yes, even rap are represented on here (the latter coming across as an afterthought, as if he snapped and realized that he didn't want to alienate his audience entirely), while Antwan stuck with what he knew. The double A- sided single . Speakerboxxx/The Love Below would eventually go on to sell over fifteen million motherfucking units, winning a Grammy award for Album Of The Year and sealing the fate of Outkast as we knew it. DISC ONE: Big Boi - Speakerboxxx. INTROThis rap album intro makes it sound as if Speakerboxxx will sound almost exactly like the previous two Outkast albums. There's certainly nothing on here that informs the listener that this disc will be nothing like The Love Below. Both of which were probably the point, I'm sure. GHETTO MUSICKThe music on here is all types of awesome, and the sudden turn it takes during the goofy chorus is fucking hilarious. Big Boi only manages to spit one verse out, but the song still works regardless. UNHAPPYI like this song; its sound is that of a smooth, aimless drive on a Sunday afternoon, and there are constant references to hot sauce throughout. This probably isn't the first rap song to discuss how alcohol is a depressant and how ridiculous it is to abuse it when you're unhappy, but it's still a valid point to make anyway. BOWTIE (FEAT SLEEPY BROWN & JAZZE PHA)I never cared for this track. I always believed that Big Boi (and his invited guests, by proxy) was trying too hard to retain the Stankonia audience, all without realizing that there are many songs from that album that absolutely nobody liked. THE WAY YOU MOVE (FEAT SLEEPY BROWN)The first single from Big Boi's half of the double album. While Andre's “Hey Ya!” moved up the charts much more quickly, after about a month this track overtook its partner in temporary popularity (because that is all that Billboard truly measures). And while “Hey Ya!” is still the more memorable single, “The Way You Move” makes for a fine alternative. This is due more to the silky smooth Sleepy Brown vocals and the Carl Mo/Big Boi beat than to Big Boi's generic- for- Big- Boi lyrics, however. THE ROOSTERUnlike the other tracks on Speakerboxxx thus far, I actually cannot fathom a verse from Andre possibly appearing on here: I suppose this would make “The Rooster” the first true Big Boi solo song. And when you look at it from behind those glasses, the man does a good job for himself over an instrumental that tries to be all things (okay, maybe just two things: a rap song and a marching band theme) to all people, but ultimately ends up sounding like it's too busy to just answer the phone like a normal goddamn person. BUST (FEAT KILLER MIKE)Big Boi, who sounds like a completely different rapper, and Killer Mike straight up destroy shit over a pulsating self- produced instrumental. I found this enjoyable as hell. WARAntwan spits over two different beats on here, the second of which is much more radio friendly, but, strangely, sounds like a better fit for Outkast. His anti- fake- emcee tone morphs into an anti- Bush rally, which is probably something you didn't expect on a Big Boi song, but hey, a little diversity in your rhymes is typically a good thing. CHURCHThis sounds more like an incomplete thought than an actual song, regardless of its three- minutes- and- twenty- six- second length. If any song were begging for a cameo appearance on this project, “Church” would be it. BAMBOO (INTERLUDE)Far too precious to ever listen to all the way through, save for the once. TOMB OF THE BOOM (FEAT KONCRETE, BIG GIPP, & LUDACRIS)Features a far more fully realized version of the beat from the preceding interlude, which isn't saying a whole lot. Big Boi invites fellow Atlanta resident Ludacris to spit a verse, and Chris, predictably, blows everybody else out of the water. However, the song itself lacks a melody (not an entirely bad thing) and an overall purpose (which kills it completely): spitting shit is just fine, but nobody on the track appears to be familiar with the other participants. KNOWINGAndre 3. 00. Had the label seen fit to continue supporting the double album beyond “Roses”, I feel this would have made an excellent, if off- kilter, single, and Dre could have even appeared in its video. Oh well; this is still an fun song. FLIP FLOP ROCK (FEAT KILLER MIKE & JAY- Z)Shawn Carter returns the favor Big Boi paid him by appearing on the Kanye West- produced “Poppin' Tags” (from The Blueprint 2: The Gift & The Curse), but once again, Jay fails to convince Andre 3. DJ and Big Boi himself, had elements of beauty (mainly the piano), but most of it sounded like a fucking mess, so the rhymes of our host and his guests are drowned out by the noise. Hova's contribution is completely worthless anyway, save for the blatant use of the image of hijacking a plane as a failed metaphor of sorts, which simply sounds socially irresponsible. This was disappointing. INTERLUDEMuch longer than it truly needs to be. RESET (FEAT KHUJO GOODIE & CEE- LO)Sounds like a leftover from the ATLiens sessions, which is meant as a compliment. Cee- Lo manages to impress listeners (as per usual), but in reality, the stars of this track are Big Boi and Khujo. LAST CALL (FEAT SLIMM CALHOUN, LIL' JON & THE EASTSIDE BOYZ, & MELLO)It isn't unheard of for Outkast to aim directly for the club audience, but I can only believe that Lil' Jon (and his increasingly useless Eastside Boyz) was included because he was a hot commodity at the time and not because the man has any talent for selling anything besides himself. So, as you can imagine, I found this track to be a hot mess, if for nothing else than because it isn't crunk enough, and why even bother if you're not going to go all the way? BOWTIE (POSTLUDE)And with this, Big Boi mentally checks out of the studio, only to return for the marketing meetings, with one important exception (which I'll get to in a bit.)DISC TWO: Andre 3. The Love Below. 1. THE LOVE BELOW (INTRO)Unlike Big Boi, Andre wastes no time in informing everybody (especially the critics who love this album) that his half of Speakerboxxx/The Love Below will not be your typical Outkast album, a typical rap album, or even a rap album in general. You have all been warned. LOVE HATERThe intro segues into this jazzy composition, which features Andre singing some goofy lyrics with full conviction (“Everybody needs to quit acting hard and shit / Before you get your ass whupped (I'll slap the fuck out'cha)”? It reads poorly on paper, but he makes it work). I can already imagine fans of Outkast's earlier work turning this shit off and moving on to something else, but I'm going to ask that the two of you stick with me for a bit. GOD (INTERLUDE)Big Boi and Andre 3. This one is kind of interesting, but there is no need to blast it on 'repeat' or anything. HAPPY VALENTINE'S DAYThis bizarre love song gives me a Prince- lite vibe. It's funky and catchy enough, but there is hardly any substance here. It is kind of funny how Andre toys with the conventions of modern songwriting by blatantly interrupting the chorus toward the halfway point, right before he begins to rap. That's right folks: the rumors of the rapper Andre 3. He just doesn't do it all that often. SPREADAndre plays the dual roles of rapper and vocalist on here as well. This track, which is all about convincing a potential one night stand to spread her legs, is so audacious and obnoxious that it comes off as kind of entertaining. I wonder if this track was the inspiration for the Ashton Kutcher movie of the same name. WHERE ARE MY PANTIES? This interlude directly follows the events of the previous track. It would have been more effective had there not been a disembodied voice shouting “Ice Cold!” during Andre's monologue, as that takes you out of the story completely. PROTOTYPEOh fuck, Andre fell for his one night stand. That goes against everything a rapper is supposed to stand for! How about you?) This is a sweet enough song, though, and Dre does a pretty good job taking us through his character's thought processes. So, um, raise your hands if you miss Big Boi's pimp rhymes yet. SHE LIVES IN MY LAP (FEAT ROASRIO DAWSON)I actually really like this song, and not just because Rosario Dawson is singing on it, although, admittedly, that does play a large role in my decision making.
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He admitted to violating the terms of supervised release by hacking into Pac. Bell voicemail and other systems and to associating with known computer hackers, in this case co- defendant Lewis De Payne. During his supervised release, which ended on January 2. Mitnick fought this decision in court, eventually winning a ruling in his favor, allowing him to access the Internet. Under the plea deal, Mitnick was also prohibited from profiting from films or books based on his criminal activity for seven years, under a special judicial Son of Sam law variation. In December 2. 00. FCC Judge ruled that Mitnick was sufficiently rehabilitated to possess a federally issued amateur radio license. He claims he did not use software programs or hacking tools for cracking passwords or otherwise exploiting computer or phone security. John Markoff and Tsutomu Shimomura, who had both been part of the pursuit, wrote the book Takedown about Mitnick's capture. 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The controversy remains, however, and the Mitnick story is often cited today as an example of the influence that mainstream newspapers can have on the law enforcement personnel. He does security consulting for Fortune 5. FBI, performs penetration testing services for the world's largest companies and teaches Social Engineering classes to dozens of companies and government agencies. In 2. 00. 0, Skeet Ulrich and Russell Wong portrayed Kevin Mitnick and Tsutomu Shimomura in the movie Track Down (known as Takedown outside the USA), which was based on the book Takedown by John Markoff and Tsutomu Shimomura. The DVD was released in September 2. Simon, of two computer security books and his autobiography: See also. Archived from the original on September 1. Archived from the original on May 1. Retrieved September 1. Archived from the original on June 1. Federal Communications Commission. Retrieved 3 December 2. United States Attorney's Office, Central District of California. Archived from the original on June 1. Ghost in the Wires: My Adventures as the World's Most Wanted Hacker. Little, Brown and Company. Archived from the original on September 1. United States Department of Justice. Archived from the original on June 2. United States Attorneys' USA Bulletin. Executive Office for United States Attorneys. Archived from the original on July 1. Lets Convicted Hacker Go Back on Net. Archived from the original on April 2. Archived from the original on December 2. Archived from the original on July 2. Retrieved September 1. Coast To Coast AM With George Noory. Archived from the original on July 2. Retrieved September 1. Archived from the original on September 1. Retrieved September 1. Archived from the original on July 1. Retrieved September 1. Archived from the original on July 1. Retrieved September 1. The Art of Deception: Controlling the Human Element of Security. ISBN 9. 78- 0- 7. The Art of Intrusion: The Real Stories Behind the Exploits of Hackers, Intruders & Deceivers. ISBN 9. 78- 0- 7. Ghost in the Wires: My Adventures as the World's Most Wanted Hacker. Little, Brown and Company. ISBN 9. 78- 0- 3. Simon, Ghost in the Wires: My Adventures as the World's Most Wanted Hacker, 2. Hardback ISBN 9. 78- 0- 3. Kevin Mitnick and William L. Simon, The Art Of Intrusion: The Real Stories Behind The Exploits Of Hackers, Intruders, And Deceivers, 2. Hardback ISBN 0- 4. Kevin Mitnick, The Art of Deception: Controlling the Human Element of Security, 2. Paperback ISBN 0- 4. Jeff Goodell, The Cyberthief and the Samurai: The True Story of Kevin Mitnick- And the Man Who Hunted Him Down, 1. ISBN 9. 78- 0- 4. Tsutomu Shimomura, Takedown: The Pursuit and Capture of Kevin Mitnick, America's Most Wanted Computer Outlaw- By the Man Who Did It, 1. ISBN 0- 7. 86. 8- 8. Jonathan Littman, The Fugitive Game: Online with Kevin Mitnick, 1. ISBN 0- 3. 16- 5. 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